For me, the song is all about that distinctive electric piano riff and that kick drum/hi-hat groove. I could listen to the intro of this track on a loop for an hour and never tire of it.
But I also can't neglect to mention the flute solo by vocalist/reedist Jimmy Brown (father of Atlanta vocalist/producer Sleepy Brown of Organized Noize). I'm generally of the opinion that no one—except maybe Ian Anderson of Jethro Tull—should ever put a flute solo in a song. But Brown sets his nearly two-minute solo on fire. If there's any part of this track that represents the jazz part of "disco-jazz," it's this.
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