Now, considering what else was going on in the world of R&B/soul at the time—Marvin Gaye getting political, Curtis Mayfield delving deeper into social ills, Stevie Wonder gaining artistic autonomy from the Motown machine, Sly Stone crafting a whole new brand of black pride-influenced hard funk, etc.—"Whatcha See Is Whatcha Get" seems kind of lightweight by comparison.
But just because it doesn't deliver a punch when it comes to social/political commentary, that doesn't mean it isn't a great song; it just means the song is less about the "message" and more about pure groove.
Actually, there are a number of reasons why this is a 70s R&B classic.
For one, it's Hester's songwriting/Johnny Allen's arrangement—the smooth blend of Latin-tinged polyrhythms, sweet orchestral strings, and bright horn blasts.
It's also the group's impassioned tag-team vocals on the verses and note-perfect, five-part harmonies on the choruses.
But, most of all, it's that fuzz-tone lead guitar, pile driving that four-note riff into your head for nearly four soulful minutes.
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